High on the Hog: How African American Cuisine Transformed America.

Black food is American food. Chef and writer Stephen Satterfield traces the delicious, moving throughlines from Africa to Texas in this docuseries. (305559)
High on the Hog: How African American Cuisine Transformed America. Black food is American food. Chef and writer Stephen Satterfield traces the delicious, moving throughlines from Africa to Texas in this docuseries. Credit: Netflix

It’s a revelation. The rich history of Black heritage cooking and how it has influenced American cuisine is on view in this enlightening, heartfelt and surprisingly well-crafted documentary, “High on the Hog: How African American Cuisine Transformed America.”

The host for this four-part Netflix epicurean travelogue is Stephen Satterfield, founder of Whetstone Magazine, which is dedicated to food origins and culture. He starts his culinary journey in western Africa and continues to the U.S., making his deeply personal sojourn a voyage of self-discovery for everyone.

In Episode I, Satterfield gets an illuminating tour of Benin, by Dr. Jessica B. Harris, author of “High on the Hog: A Culinary Journey from Africa to America,” whose book is the source material for the docuseries. Her deep, shaman-like voice is reminiscent of Maya Angelou’s and makes you feel like you are in the presence of an oracle.

“Food is how we know who we are and how we are connected,” Harris says. She and other guides, chefs (Valérie Vinakpon) and preservationists recall how African people were rounded up, enslaved, brought to boats in port towns like Benin’s Ouidah and vetted. The captives were shipped out and their food traditions came with them on their harrowing transatlantic passages to the western hemisphere. Learning that okra, yams, black-eyed peas, fava beans and rice are staples there and here is fascinating. Discovering the history of the slave trail that ran from the center of Ouidah to the sea and a mass grave (Cemetery of Slaves), is sobering.

Episode 2 takes the proceedings to Charleston, South Carolina, where other emissaries chart the history of Black cuisine, with particularly profound insights from Michael W. Twitty, author of the food blog Afroculinaria and book “The Cooking Gene: A Journey Through African American Culinary History in the Old South.”

Episode 3 spotlights two of the most lauded epicureans of the 18th and 19th centuries, Hercules Posey, head chef for President George Washington and James Hemings, chef for Thomas Jefferson. The latter, brother of Sally Hemings, was the first American chef to train in France and is credited for bringing French fries and mac and cheese to America. Their careers, families and fights for freedom are known. Specific menus and portraits are non-existent. The Los Angeles restaurant Hatchet Hall keeps their form of hearth cooking alive serving history-influenced dishes like Hemings Snow Eggs (soft custard with basil, peach, toasted almond). Equally intriguing are the stories of Thomas Downing, the entrepreneurial Oyster King of New York City, and the smart businessman Albert E. Dutrieuille who created a catering empire/dynasty in Philly.

Episode 4 brings the series to a conclusion as the production ventures to Texas, highlighting the significance of the holiday Juneteenth. Satterfield is briefed on the history by James Beard finalist Jerrelle Guy, author of “Black Girl Baking,” who unveils some of her prized desserts (Raw raspberry-hibiscus cheesecake) and their historic significance. Meeting Black cowboys (Northeastern Trail Riders Association) and seeing how African-Americans influenced cowboy culture—from cuisine to rodeo events—is also very informative. Add in clips of tantalizing cowboy stew, beef brisket, baby back pork ribs and tamarind paste broth and the intersection of culture and food continues to amaze. It’s like taking a graduate course in four self-contained episodes.

Technically, the entire production team should take a deep bow. If ever there was a culinary series deserving of an Emmy, this is it. Its indelible images, emotionally peaked encounters and wealth of history and knowledge are extraordinary. Black America’s legacy lives on because people guard the gates of our culture. The makers of this brilliant miniseries and the guides who take us on this journey are those guardians.