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Male characters in drag: Are they detrimental to the Black community?

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I wonder if African Americans are becoming overly sensitive about a  number of topics, most recently Tyler Perry’s wildly successful  portrayal of Madea, the strong, sassy, and sensationally funny  grandmother figure that has been prevalent in the Atlanta mogul’s stage  plays and films. Perry has gotten a massive amount of criticism– and  wealth–from the character, and the theory of the feminization of the  Black man has come back into play, assuming it ever left.

I personally disagree.

According to the theory, African American men dressed as women is the  latest characterization of Black cooning and buffooning thrust on us by  the promoters of White supremacy. It is a stereotypical image that  counters the much-preferred although battered and bruised image of the  strong African American male. For the Anglo-Saxons, “who runs things,”  this is an image of the Black male that is palatable and acceptable.

Although there may be a modicum of truth in this scenario, it is a bit heavy, and we put a little too much weight on it.

The Caucasian community did not go into a huge uproar when Hugo Weaving  dressed up as a woman in “Priscilla, Queen of the Desert,” or when Tim  Curry did it “Rocky Horror Picture Show,” or when Dustin Hoffman did it  in “Tootsie,” or when Robin Williams did it in “Mrs. Doubtfire,” or when  John Travolta did it in “Hairspray.”

We made a huge fuss about the fact that Wesley Snipes was dressed as a  woman in “To Wong Foo,” but how easily we forget that Patrick Swayze was  right next to him in drag, as well.
Have such characterizations feminized the White male?

If the situation were strictly a Black issue, it would hold more weight.  But as history has shown us, it clearly is not. The numbers of actors  that have done roles in drag are endless, with no color lines  differentiating them.

Bottom line: it’s comedy. It’s usually funny for any man to be dressed  in women’s clothing and men have been doing it since the beginning of  theater.

Lest we forget, and aside from the comedic aspect, before women were  allowed on stage, male actors played womens roles … that means women’s  clothing.

The skits can go overboard at times, but unless something new or  outrageous is brought to these parodies, they are more an issue of  beating a dead horse, because they’ve been done so many times that  they’re just old. But to say that they drastically hurt who we are as a  people goes a bit too far.

If anything, I can’t imagine why the main issue isn’t that these  characterizations are completely overdone, dramatic, ghetto-fabulous,  portrayals of Black women. They could be said to reflect more negatively  on women than men, and the question could be, “Is this really how Black  men view women?”

Another thing to consider is the fact that nobody is forcing men into  these roles. Nobody told Tyler Perry they weren’t going to fund his  projects unless he humiliated himself by putting on a dress.

Perry took a character, that even though many Blacks hate to admit it,  is a little bit of someone in every family, wrapped it all up into one  strangely relatable, surprisingly wise old “lady” that, after all of the  shenanigans, you might actually learn a valuable lesson from.

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