Midway through the recently released Cadillac Records, director Darnell Martin’s film on the groundbreaking record label Chess Records, Martin depicts rock pioneer Chuck Berry unleashing his signature “Sweet Little Sixteen” guitar riffs against scenes of surfing revelry. Berry’s song was notoriously pilfered by the Beach Boys in their song “Surfin’ USA,” a homage to White California youth subculture. Chewed up and spat out by an imperialist marketing machine, Berry’s music becomes yet another Jim Crow soundtrack for Americana pleasure.