Bias remains a constant factor embedded within the psyche of each and every one of us, regardless of our individual aspirations towards open- mindedness and liberal thought.
Fifteen years into a not-so-new millennium, we have come to the realization that computer “glitches” will not cripple society and electronic devices have not spelled the end of the printed page.
The collaboration between the church and theatre continues to be an intriguing and viable outlet, especially here in Los Angeles, a locale that curiously does not have a thriving stage culture, in spite of the humongous acting population drawn here by the allure of the film and television industry.
“Thank you for going on a journey with Better Brothers Los Angeles and attending our Inaugural Truth Awards Ceremony Saturday evening. Your presence fulfilled our dream of creating a space where the Black LGBTQ (Lesbian Gay Bisexual Transgender Queer) community could gather and honor its own. You are all now witnesses to that creation!!"’
America through the eyes of expatriates
Years from now, historians may well regard this era as a transitional period in the evolution of race relations, much like the mid-20th century. As we wind down to the end of the administration of the first non-White male president, the subject of color is as contentious and nebulous as it has ever been in the two and a half centuries of this country’s existence.
Largely overshadowed by the presence of UCLA and USC, two pre-eminent institutions of higher learning in Los Angeles County, Mount Saint Mary’s University remains a unique presence as the only independent college for women locally. With dual campuses nestled near both the city’s major universities (the Brentwood campus houses its undergraduate program), the Catholic liberal arts school has recently launched a new co-educational masters of fine arts program in creative writing at its Doheny campus near University Park USC.
Conference explores art, culture and the ‘Black esthetic’
Novelist Ishmael Reed once described his writing technique as “making something whole from scraps,” or more to the point, “the gumbo style,” meaning that his work was steeped in the European literary tradition, and also shaped by popular culture as produced by the commingling of influences in the new world.
Fifty years ago this week, a crowd filed into Manhattan’s Audubon Ballroom on a Sunday afternoon. The Audubon was a multi-purpose building that hosted a variety of events, including festivals, movie screenings, and religious services. But today, however, it was being utilized for another, different type of event entirely. The crowd had gathered to attend a meeting of the newly formed Organization of African American Unity, with its keynote speaker one of the most controversial and polarizing figures in America: El-Hajj Malik El-Shabazz, more commonly known as Malcolm X.
First off, let me start by admitting that I’ve never seen “Ganja and Hess,” the 1973 blaxploitation landmark from which Spike Lee’s newly released “Da Sweet Blood of Jesus” is derived. That said, I’ll take as gospel all the press releases asserting that this remake sticks close to the original’s script (Lee includes writer-director Bill Gunn in the credits for this latest effort).
Already underway, this year’s Pan African Film Festival (PAFF) which ends on Feb. 16, is all the more interesting in light of the barrage of criticism due to the scarcity of nominations for people of color at the Academy Awards.