Yvonne Hampton is 69 years old, and lives clear across the country from her older brother, Bill. But she can still rely on him to look out for her — just as he did when she was growing up.
“The way our parents raised us, we stood up for ourselves, and my brother always protected me,” Hampton said.
Even though Bill stuck up for his little sister as they came of age in Poughkeepsie, New York, he couldn’t always protect himself, or her, from the cruel words of playmates who viewed their dark skin as offensive.
“We were made fun of, called ‘Little Black Sambo’ — that was our introduction to kindergarten,” she said. “You were made to feel ‘less than’ because your skin was darker, and (that) being dark brown or Black was ugly.”
Hampton’s experiences as a “dark girl” were an inspiration for Bill Duke’s documentary that explores the sometimes painful, undercover story of colorism — discrimination based on skin tone — inside and outside the Black community.
Now a respected actor and filmmaker, Duke used his industry clout to bring attention to the issue.
Duke, along with D. Channsin Berry, co-directed and co-produced “Dark Girls,” which will be released on DVD September 24.
When it premiered on the OWN channel earlier this year, the film stirred spirited conversation about Black beauty, just as it did at screenings around North America.
“Dark Girls is a phenomenal documentary that opens the door on that light skinned/dark skinned thang,” Oprah tweeted in June.
After the trailer hit the Web in 2011, the filmmakers soon learned that the issue did not only resonate among darker-hued American women.
“I started getting e-mails from women in Poland, and I was thinking to myself, I don’t know any Black women in Warsaw, or Poland or other places around there,” Berry said. “And I kept getting (correspondence) from women’s groups in the Netherlands asking us to talk about this, and screen the movie. And it was deep.”
In this edited conversation, co-directors Bill Duke and D. Channsin Berry shared with CNN what they learned making the film and how the conversation began.
CNN: How did two male directors become interested in making a film about “Dark Girls"?
Duke: I saw the things that my sister went through — she’s dark skinned — with boys not considering her attractive in her youth and the pain that it caused her. You have to explain to people the damage that it does to a young woman, and to see it and experience it is something that you don’t forget: her crying in her room alone, her trying to lighten her skin, her feeling ugly, me having to beat up young boys because they said she was ugly, that type of thing.
CNN: How do you define “dark girls"? The documentary begins by looking at the issues of intracultural colorism within the Black American community, but also touches on issues of color in India and around the world.
Berry: It changed, it really changed through my research. It was about sisters who were dark in complexion. But the more I started to do interviews around the country and around the world — and this is the crazy thing I found out, it was so enlightening — that all women around the world are “dark girls” at some point in time in their lives. It has nothing to do so much with the complexion of one’s skin. It has everything to do with the lack of women’s self-esteem. That’s what I learned. And I also learned that pain is pain: If you’re dark, you’ve got some pain, if you’re light in complexion, you’ve got some pain.